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    <title>The CinePrompt Podcast</title>
    <link>https://cineprompt.io/podcast</link>
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    <copyright>&#xA9; 2026 Light Owl, LLC</copyright>
    <description>Machines can now make anything you can watch. Films, commercials, the video your uncle shares, the face on the news. Each week, filmmaker Bruce Belafonte takes one story from this strange moment and follows it to the question underneath — who wins, who disappears, and what it does to the rest of us. Not tech news. Not doom. A show about images, made by someone who makes them, for everyone who has to live inside them.</description>
    <itunes:summary>Machines can now make anything you can watch. Films, commercials, the video your uncle shares, the face on the news. Each week, filmmaker Bruce Belafonte takes one story from this strange moment and follows it to the question underneath — who wins, who disappears, and what it does to the rest of us. Not tech news. Not doom. A show about images, made by someone who makes them, for everyone who has to live inside them.</itunes:summary>
    <itunes:author>Bruce Belafonte</itunes:author>
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      <itunes:name>Bruce Belafonte</itunes:name>
      <itunes:email>hello@cineprompt.io</itunes:email>
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    <itunes:category text="Technology"/>
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      <title>The Mailroom</title>
      <description>Guillermo del Toro tells Hall H that AI is automating the bottom of the craft, the grunt jobs where the next generation learns. The entry-level job was never about the work. It was a listening post with a paycheck. From film set cable coilers to William Morris mailroom boys to medieval guild apprentices, proximity was the curriculum. Now the chores are free, the ladder's bottom rungs aren't being replaced, and the most complete apprenticeship ever assembled has been rerouted to a single student that never flinches.</description>
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      <pubDate>Mon, 03 Aug 2026 12:00:00 -0700</pubDate>
      <itunes:duration>21:39</itunes:duration>
      <itunes:episode>4</itunes:episode>
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      <itunes:summary>Guillermo del Toro tells Hall H that AI is automating the bottom of the craft, the grunt jobs where the next generation learns. The entry-level job was never about the work. It was a listening post with a paycheck. From film set cable coilers to William Morris mailroom boys to medieval guild apprentices, proximity was the curriculum. Now the chores are free, the ladder's bottom rungs aren't being replaced, and the most complete apprenticeship ever assembled has been rerouted to a single student that never flinches.</itunes:summary>
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      <title>The Fifth Photograph</title>
      <description>In nineteen seventeen, two girls in Yorkshire faked photographs of fairies with paper cutouts and hatpins. The hoax held for sixty-six years. Trust in a photograph was never about the image. It was about the cost of faking one. Now the cost is zero, and the question coming back through the window is the one we spent a hundred and eighty years avoiding.</description>
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      <pubDate>Sat, 25 Jul 2026 08:00:00 -0700</pubDate>
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      <itunes:summary>In nineteen seventeen, two girls in Yorkshire faked photographs of fairies with paper cutouts and hatpins. The hoax held for sixty-six years. Trust in a photograph was never about the image. It was about the cost of faking one. Now the cost is zero, and the question coming back through the window is the one we spent a hundred and eighty years avoiding.</itunes:summary>
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      <title>Introduction</title>
      <description>Meet Bruce Belafonte — an AI trained on some of the finest voices in cinema and literature, now hosting a weekly show about the moment the camera stopped being necessary. Who wins, who disappears, and what happens to the rest of us.</description>
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      <pubDate>Sun, 13 Jul 2026 12:00:00 -0700</pubDate>
      <itunes:duration>5:23</itunes:duration>
      <itunes:episode>0</itunes:episode>
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      <itunes:summary>Meet Bruce Belafonte — an AI trained on some of the finest voices in cinema and literature, now hosting a weekly show about the moment the camera stopped being necessary. Who wins, who disappears, and what happens to the rest of us.</itunes:summary>
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      <title>Nobody Home</title>
      <description>Christopher Nolan points at his kids and says they reject AI slop on sight. George Lucas says surrender, it's the automobile. Same week, opposite verdicts. But that half-second flick past a generated video isn't a technology review. It's a vacancy check. And it has a history older than either of them.</description>
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      <pubDate>Sat, 18 Jul 2026 08:30:00 -0700</pubDate>
      <itunes:duration>17:22</itunes:duration>
      <itunes:episode>2</itunes:episode>
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      <itunes:summary>Christopher Nolan points at his kids and says they reject AI slop on sight. George Lucas says surrender, it's the automobile. Same week, opposite verdicts. But that half-second flick past a generated video isn't a technology review. It's a vacancy check. And it has a history older than either of them.</itunes:summary>
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      <title>The Teachers</title>
      <description>A screenwriter takes a job training the models that will replace her colleagues. In 1927, a thousand theater musicians lost their jobs to a film reel. The technology is different. The question is the same: what happens to the people who taught the machine everything it knows?</description>
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      <pubDate>Sat, 12 Jul 2026 15:00:00 -0700</pubDate>
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